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Frank here. Posting a review for our writer BKRivers, since he is unable to post it at the moment. Decided to write this up before the jump, just to let you know, that although this is a review of a raunchy comedy, and silly things like "plot" and "story" rarely have any bearing on these things, I thought it prudent to warn everyone... Ahead there are spoilers. So be warned, if you click on the link, you will be reading a lot of the plot... You have been warned. Seriously guys... MAJOR SPOILERS AHEAD...
The film starts out on Christmas Eve in
1985, where we meet a young John Bennett who is constantly picked on,
made fun of, and has no friends. John is constantly trying to make
friends, including trying to join in on the neighborhood kids’
yearly tradition of beating up the only Jewish kid, for which he is
shooed away, even the Jewish child tells him to go away. The next
day, John receives a stuffed teddy bear, whom he affectionately names
Teddy, that also says “I Love You”. That night, John makes a
wish as a shooting star goes by, and the next morning, learns that
Teddy has come to life. He shows his parents (Alex Borstein and
Ralph Garman), who initially freak out, but afterwards calm down,
with Borstein likening Teddy to the “baby Jesus”. The two new
pals then promise to be best friends forever. This whole opening
sequence is kind of blasé, with the exception of the Jewish Kid and
the always funny Alex Borstein.
The film then shows Ted appearing on
different newscasts and talk shows around the world, including an
impressive computer generated sequence placing Ted on the Tonight
Show with Johnny Carson. It should be noted that the CG Ted looks and
moves like you’d think a teddy bear-come-to-life would. McFarlane
would even motion-captured some of the scenes with Wahlberg in order
to make the conversations between Ted and John more organic and realistic
(well, as realistic as you can be talking to a magic teddy bear).
We see John and Ted through the years
via flashbacks, including a mullet-headed Wahlberg. Fast forward to
2012, and Ted and John are still best friends, albeit immature and
crude. John is 35 and working at a rental car lot, with co-workers
Guy (Patrick Warburton), Tanya (Laura Vandervoort), Alix (portrayed
by John Viener using his “European guys” voice from Family
Guy), and his boss Frank (Matt Walsh). John is currently in a
4-year relationship with Lori (Mila Kunis), a steady, responsible
office helper. The interactions here between John and Ted are funny,
organic, even if they are raunchy and hedonistic. There is good
chemistry between Kunis and Wahlberg, and it doesn’t feel forced in
any way.
We see John and Lori celebrating their
4-Year anniversary, with Lori expecting John to present her with a
proposal, but not receiving it. John is perfectly content to have
Ted live with them forever, unlike Lori. She gives him an ultimatum
to make Ted move out, to which he is initially resistant. He is
finally persuaded when they return home that night to Ted hanging out
with four prostitutes, one of which has defecated on the floor on a
dare. This is one of the fouler, but more funny moments of the
movie.
Ted is forced to get an apartment and a
job. He fights getting a job, not wanting to be responsible. During
his interview at a local grocery store, we are treated to the first
gut-busting moment of the movie. I recommend not eating or drinking
anything during this sequence. Ted’s remarkably inappropriate
behavior towards the manager not only gets him hired, but eventually
promoted! He eventually starts dating the other new checkout clerk,
Tammy-Lynn, with whom he has sex in the store multiple times,
one time they even get caught by the manager and the interaction
between he and Ted leads to Ted getting promoted. Again, another
great laughing moment.
Also appearing in the film is a very
creepy father-son duo of pedophile-type Donny (Giovanni Ribisi) and
Robert (Aedin Mincks), who are stalkers that want to buy Ted from
John. This is a truly eerie moment, in the sense that you really
think that the two have a much more sordid, disgusting relationship.
Ribisi is very good at playing a creep, and was a perfect choice for
this role. His actions, his mannerisms, and his ridiculously creepy tone all made for a great sell. Mincks was a very destructive child, and acted
just as sick and creepy as Ribisi did. The fat jokes during the
chase scene later in the film weren’t the funniest, but they were
delivered with great comedic timing.
In the third act of the film, John
abandons Lori at a party thrown by her repulsive boss Rex, played
excellently lecherously by Joel McHale, to Ted’s apartment party to
meet Sam J. Jones, “star” of the film Flash Gordon. Here
they partake in drinking, drugs, and reckless behavior, all of which
are executed hilariously, especially John and Ted’s cocaine trip.
We get a hilarious cameo by Ryan Reynolds, who turns out to be Guy’s
gay lover. McHale is constantly trying to get Kunis’ character to
leave John, and after this fiasco at Ted’s apartment, Lori leaves
John. It feels sincere and heartbreaking during this moment for all
three parties involved, as each are losing the ones they care about
the most.
Soon after, Ted is kidnapped by Donny
and Robert. Ted eventually escapes, and during the chase scene where
Lori and John try to rescue Ted, he is ripped in half. I personally
whimpered a little, and it was sad as John and Lori tried desperately
to sew Ted back together, but to no avail as Ted is reverted back to
a plain teddy bear. When Lori makes a wish upon star that night, Ted
awakens in the morning, alive and well, with a stroke/mental disorder
joke that is a little crude, but still quite funny.
John and Lori get married, with Sam J.
Jones officiating, during a funny ceremony. The ending sequence is
probably one of the funniest parts of the movie, with a particular
Brandon Routh joke that I almost felt was put in there just for me,
as well as the fate of Donny’s son Robert. One of the best parts
of the whole flick was Patrick Stewart acting as Narrator, which is
worth the price of admission alone. I mean come on, who doesn’t
love Patrick Stewart?!? Plus, he narrates the entire ending sequence,
which just makes it funnier.
Overall, I
thoroughly enjoyed watching Ted. You don’t have to be
Family Guy fan to appreciated this movie, but it helps get
some of the little nods to the Seth McFarlane cartoon scattered
throughout the film. Were all the jokes funny? No. But the ones
that were funny were spot on. Its serious (mostly) when it needs to
be. It’s not the greatest movie ever, and its definitely not for
kids (its rated R for a reason), but for adults looking for a great,
hilarious romp with what seems to be Family Guy’s Stewie and
Rupert 30 years later, it is perfect. I will gladly go plop down
another $5 to see this movie again.
For more of my work, just look for
BKRivers here on the Slamfist website, Facebook, and Twitter.
Until Next Time, Peace!
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